Feminae: Medieval Women and Gender Index


7 Record(s) Found in our database

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1. Record Number: 10822
Author(s): Góngora, María Eugenia.
Contributor(s):
Title : Feminea Forma and "Virga": Two Images of Incarnation in Hildegard of Bingen's "Symophonia"
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004.  Pages 23 - 36.
Year of Publication: 2004.
2. Record Number: 10823
Author(s): Flisfisch, María Isabel.
Contributor(s):
Title : The Eve-Mary Dichotomy in the "Symphonia" of Hildegard of Bingen
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004.  Pages 37 - 46.
Year of Publication: 2004.
3. Record Number: 10824
Author(s): Meli, Beatriz.
Contributor(s):
Title : Virginitas and "Auctoritas": Two Threads in the Fabric of Hildegard of Bingen's "Symphonia armonie celestium revelationum"
Source: The Voice of Silence: Women's Literacy in a Men's Church.   Edited by Thérèse de Hemptinne and María Eugenia Góngora Medieval Church Studies .   Brepols, 2004.  Pages 47 - 55.
Year of Publication: 2004.
4. Record Number: 4294
Author(s): Bumpass, Kathryn L.
Contributor(s):
Title : A Musical Reading of Hildegard's Responsory "Spiritui Sancto"
Source: Hildegard of Bingen: A book of Essays.   Edited by Maud Burnett McInerney .   Garland Publishing, 1998.  Pages 155 - 173.
Year of Publication: 1998.
5. Record Number: 4293
Author(s): McInerney, Maud Burnett.
Contributor(s):
Title : Like a Virgin: The Problem of Male Virginity in the "Symphonia" [The author argues that Hildegard regarded the virginal as female; for male saints to participate in virginity, they had to be transformed].
Source: Hildegard of Bingen: A book of Essays.   Edited by Maud Burnett McInerney .   Garland Publishing, 1998.  Pages 133 - 154.
Year of Publication: 1998.
6. Record Number: 2391
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : Hildegard von Bingen (1098-1179) : Responsories, Sequences, and Hymns in Hildegard's "Symphonia" [includes Latin text, English translation, and modern performance scores for "Vos flores rosarum", "O clarissima mater", "O lucidissima apostolorum turba", "Cum vox sanguinis", and "O ecclesia"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996.  Pages 30 - 50.
Year of Publication: 1996.
7. Record Number: 10013
Author(s): Pfau, Marianne Richert.
Contributor(s):
Title : The concept of Armonia as a key to the antiphons in Hildegard of Bingen's Symphonia [The article stresses the importance of musical setting in understanding Hildegard‚s poetic imagery. Title note supplied by Feminae.].
Source: Medieval Perspectives , 7., ( 1992):  Pages 154 - 170.
Year of Publication: 1992.